In Texas Museum, Wind's Evolution is on Display

A century ago, Texas was covered with windmills, which pumped water from aquifers so cattle could drink and gardens could grow. Thousands of these old-style models still exist in remote pastures, but in recent years far taller and more powerful turbines have sprouted atop western mesas, transforming this oil and gas state into the national leader in wind-generated electrical power.

This evolution is on display at the American Wind Power Center in Lubbock, which bills itself as the world’s largest windmill museum. Dozens of old, clanking windmills occupy the grounds of a small, breezy hilltop, irrigating the grass, while a 165-foot-tall modern turbine, made by the Danish company Vestas, towers in the background and supplies the museum’s electricity. Long, sleek blades from another monster turbine, the first manufactured by General Electric, lie along the edge of the parking lot, awaiting the construction of a new wing the proprietors hope to build, finances permitting.

The museum is the culmination of more than 30 years of work by Billie Wolfe. Wolfe, who taught at the College of Home Economics at Texas Tech University, got interested in old windmills in the 1960s, and much later she teamed with Coy Harris, chief executive of the Wind Engineering Corporation, to create the museum, which was established in 1997. (Wolfe died earlier that year.)

Harris, who is now the museum’s executive director, continues to expand the collection and plans to add 10 to 15 smaller electric turbines — the size people could put on their ranches — on an unused section of the property. “We’re going to put in a mini wind farm,” he said.

The Lubbock windmill collection is not Texas’ only one. Two-hundred-plus miles north, several dozen windmills are clustered in a roadside park in Spearman, just past the Hungry Cowboy restaurant upon entering the town from the south on Route 207. (It’s only fitting that the Panhandle, the state’s windiest region, boasts a wind-power display.) These are from the collection of a legendary local and windmill lover, J. B. Buchanan, and the names on the tails include some of the most storied windmill companies in history, like Eclipse, Aermotor and Axtell.

SSCC plans April 21 artist reception for Joanne Edwards

An exhibition featuring "plein air" artist Joanne Edwards is currently on display in the Learning Resources Center (LRC) of Southern State Community College's South Campus, 12681 U.S. Route 62, near Sardinia.

The exhibition will be available for viewing throughout spring quarter. The art term "plein air" refers to a style of painting produced outdoors in natural light.

A meet-the-artist reception will be held 6-8 p.m. Thursday, April 21, in the LRC. The event is free to the community and refreshments will be served.

Edwards was born in the Chicago area and didn't begin her formative art training until she relocated to the Art Academy of Cincinnati (AAC) in 1984. Her early works were inspired by Mary Cassatt, and she received numerous portrait commissions. Edwards won a First-Year Scholarship from AAC and earned her BFA in 1993, graduating magna cum laude and as class valedictorian.

Later she concentrated on Impressionist painting, studying the styles of Monet, Van Gogh and Matisse. Her paintings traveled for several years with the Cinergy Collection and she had works on display in Sen. Mike DeWine's offices. Edwards' artwork is held in many private collections and has been exhibited in numerous solo and group shows. Her oil paintings have been exhibited and sold in numerous art galleries, including Masterpiece Gallery in Oakley, Closson's of Cincinnati, Guenther Gallery & Design in Itasca, Ill., and River's Edge Gallery at the Cincinnati Airport.

Edwards has been a member of the Cincinnati Art club, the Queen City Art Club and the Indiana Plein Air Society, and has been a member of the Ohio Plein Air Society for the past six years. She recently moved to Lake Waynoka in Sardinia and displays her work for sale in the Lake Waynoka Restaurant.

From 2009-10, Edwards wanted to experiment with a new medium and decided to take classes in watercolor at Southern State Community College with instructor James "Skip" Werline.