Gene Shapiro Auctions LLC will conduct their Spring Auction of Russian Art on Saturday, April 16, during Russian Art Week. Both the auction and a week of preview exhibition starting on April 9 will take place at the company's location at 506 E. 74th St. on the Upper East Side of Manhattan.
LiveAuctioneers will provide Internet live bidding. The auction will begin at 10 a.m. Eastern.
Company founder Gene Shapiro, is upbeat about both the quality and quantity of works that his eponymous firm will be offering, "With rising commodity prices and prominent buying by Russian buyers in the news, many private American collectors decided that now was the time to sell works that have been in their collections for years. As a result, we were able to obtain a lot of great consignments for this auction."
Indeed, on offer at Gene Shapiro will be more than 400 lots of paintings, bronzes, icons, enamel, silver, porcelain, rare books and maps, swords and militaria, posters, and works on paper, most of which are fresh to the market.
"We wanted to have something for everybody in this auction – from collectors of antique icons, to rare books, to buyers of Imperial Russian porcelain," said Shapiro. "We were helped greatly in this regard by several significant consignments from American families whose grandparents were buying and importing artworks from Russia in the 1930s."
One of these collections came from the family of Dr. Adolphus Rumreich, who served as the physician at the U.S. Embassy in Moscow from 1935-1938. While there, he and his wife, Edna Irene Hall Rumreich, assembled a sizeable collection of Russian pre-revolutionary art and books then being sold by the Soviet government. They often accompanied American Ambassador to the Soviet Union Joseph Davies and his wife, Marjorie Merriweather Post, prominent American collectors of Russian artworks of the 20th century, when they visited Torgsin and other Soviet agencies that sold antiques to foreign dignitaries.
Another American collection including important sets of Imperial porcelain and early 19th- and 18th-century icons was consigned by a family whose grandfather was a diplomat in the Italian Embassy to the Soviet Union during the 1930s, and who was actively acquiring Russian works of art during his time in Moscow.
2011年3月30日星期三
2011年3月15日星期二
Indonesian Master Leads the Way at S'pore Art Auction
Asian auction house Larasati's sale last Saturday exceeded pre-sales estimates, with
Indonesian master Hendra Gunawan's work leading the way and reflecting recovering sentiment
in the Asian art market.
Although a significantly smaller auction of 90 lots went under the hammer, about 75 percent
of the lots sold at prices above estimates.
More than 100 people attended the event, and S$1.8 million in sales were generated. In August
last year, Larasati sold 135 lots for almost $2 million.
Commenting on the result, Larasati's chief executive officer Daniel Komala, said: "With Asia
bouncing back strongly from the recession, the art market is bullish. There is a strong
appetite for good art."
Art by established names drew the most interest at this auction.
Among the most keenly bidded artworks were paintings by the late Indonesian artist Hendra
Gunawan, paintings by Dutch-born Balinese artist Arie Smit, Singapore pioneer artist Lee Man
Fong and limited edition prints by Japanese pop artist Takashi Murakami.
Bidding for their works was intense. Gunawan's 1983 oil on canvas Gembala Kerbau (Buffalo
Cowboy) emerged as the top lot selling for S$288,000, way above its estimate of S$60,000.
Painted in his distinct style with generous applications of paint, it saw highly contested
bids between phone bidders and buyers on the sale floor.
At S$169,200, Smit's Balinese Village And Farm Lands was the most expensive painting sold at
any auction by the artist to date. Its pre-sales estimate was S$35,000.
Lee Man Fong's Satay Seller, the last lot on offer, ended the auction on a high note selling
for S$220,800, up from its estimate of $$35,000. The biggest surprise turned out to be
Murakami's limited- edition prints.
With 300 of these available in the market, the five Murakami works on offer had an initial
estimate ranging from S$1,700 to S$2,500 each. Eager bidders quickly pushed the prices up.
Eventually, the three print series titled Kansei Korin Gold; With Reference, I Lay Myself
Before You - Korin - Chrysanthemum; and Warhol, Silver sold for $$12,600, five times above
the starting bid.
Art collector Martha Gunawan, 58, flew in from Jakarta for the auction. Even though she was
outbidded for the Murakami work, she said it was a worthwhile trip. "I had some excellent
buys but am disappointed that I missed out on some great pieces. There was just too much
competition this year," she said.
She said she likes to attend auctions in Singapore as they often feature works which are hard
to find in the market.
"Auctions like this one by Larasati are also a good platform to spot market trends. As a
collector, I tend to focus on works by masters. I feel many contemporary art works are over-
priced, while some works by old masters such as Gunawan are still under-valued," she said.
Set up in 2000, Larasati has been holding biannual auctions in Singapore since 2003. This
year, its smaller collection seems to have resonated with buyers. Said Komala: "It is a
testament to a strong demand and growing interest for quality Asian art. We had this in mind
when putting together this collection focusing on rare works by distinguished artists."
Indonesian master Hendra Gunawan's work leading the way and reflecting recovering sentiment
in the Asian art market.
Although a significantly smaller auction of 90 lots went under the hammer, about 75 percent
of the lots sold at prices above estimates.
More than 100 people attended the event, and S$1.8 million in sales were generated. In August
last year, Larasati sold 135 lots for almost $2 million.
Commenting on the result, Larasati's chief executive officer Daniel Komala, said: "With Asia
bouncing back strongly from the recession, the art market is bullish. There is a strong
appetite for good art."
Art by established names drew the most interest at this auction.
Among the most keenly bidded artworks were paintings by the late Indonesian artist Hendra
Gunawan, paintings by Dutch-born Balinese artist Arie Smit, Singapore pioneer artist Lee Man
Fong and limited edition prints by Japanese pop artist Takashi Murakami.
Bidding for their works was intense. Gunawan's 1983 oil on canvas Gembala Kerbau (Buffalo
Cowboy) emerged as the top lot selling for S$288,000, way above its estimate of S$60,000.
Painted in his distinct style with generous applications of paint, it saw highly contested
bids between phone bidders and buyers on the sale floor.
At S$169,200, Smit's Balinese Village And Farm Lands was the most expensive painting sold at
any auction by the artist to date. Its pre-sales estimate was S$35,000.
Lee Man Fong's Satay Seller, the last lot on offer, ended the auction on a high note selling
for S$220,800, up from its estimate of $$35,000. The biggest surprise turned out to be
Murakami's limited- edition prints.
With 300 of these available in the market, the five Murakami works on offer had an initial
estimate ranging from S$1,700 to S$2,500 each. Eager bidders quickly pushed the prices up.
Eventually, the three print series titled Kansei Korin Gold; With Reference, I Lay Myself
Before You - Korin - Chrysanthemum; and Warhol, Silver sold for $$12,600, five times above
the starting bid.
Art collector Martha Gunawan, 58, flew in from Jakarta for the auction. Even though she was
outbidded for the Murakami work, she said it was a worthwhile trip. "I had some excellent
buys but am disappointed that I missed out on some great pieces. There was just too much
competition this year," she said.
She said she likes to attend auctions in Singapore as they often feature works which are hard
to find in the market.
"Auctions like this one by Larasati are also a good platform to spot market trends. As a
collector, I tend to focus on works by masters. I feel many contemporary art works are over-
priced, while some works by old masters such as Gunawan are still under-valued," she said.
Set up in 2000, Larasati has been holding biannual auctions in Singapore since 2003. This
year, its smaller collection seems to have resonated with buyers. Said Komala: "It is a
testament to a strong demand and growing interest for quality Asian art. We had this in mind
when putting together this collection focusing on rare works by distinguished artists."
订阅:
博文 (Atom)